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Home » Blog » Work-Life Balance for Photographers: How to Protect Your Family Time

Work-Life Balance for Photographers: How to Protect Your Family Time

By David Hakamaki

work life balance for photographers

Building a successful photography business takes commitment, but where do you draw the line? David Hakamaki shares practical advice on protecting family time, managing your workload and creating a healthier balance between photography and life.




Photography can be much more than a job.

For many photographers, it is a passion, a creative outlet and a way of life. When you love what you do, it can be very easy to keep working.

One more wedding.

One more editing session.

One more email.

One more hour working on the website.

Before you know it, photography has expanded to fill almost every available hour.

The desire to build a successful business, improve your photography and gain recognition can be incredibly motivating. But there is a danger in allowing the business to consume everything else.

Family time can disappear. Weekends become workdays. Editing continues late into the evening. Holidays become opportunities to catch up on emails.

And eventually, you can find yourself asking whether the business is working for you — or whether you are working for the business.

The reality of being a working photographer

Photography has some unique challenges when it comes to work-life balance.

A wedding is tied to a particular date. If you’re booked, you can’t simply move it because something else has come up.

Portrait sessions, commercial assignments and events can also take place at weekends or during evenings, precisely when many families have their own commitments.

Then there is everything that happens when you’re not actually holding a camera.

Running a photography business involves marketing, emails, enquiries, editing, album design, accounting, social media, website maintenance and administration.

The working day doesn’t necessarily end when the camera goes back in the bag.

For photographers who are passionate about their businesses, it can be particularly difficult to switch off.

What does an unhealthy balance look like?

There isn’t a single definition of a healthy work-life balance. Every photographer, family and business is different.

However, warning signs can include regularly working when you intended to spend time with your family, being unable to switch off from work, constantly feeling behind, taking on more work than you can comfortably manage, or repeatedly missing important personal commitments.

The problem is that these things can happen gradually.

You might initially tell yourself that you’re just having a busy month.

Then it’s a busy season.

Then another wedding gets booked.

Then another deadline arrives.

Eventually, the temporary situation becomes your normal working life.

The cost of missing family moments

photography business work life balance

One of the hardest lessons I’ve learned during my career is that some things cannot be rescheduled.

There have been times when I booked a wedding or portrait session only to discover that it clashed with a family event.

I’ve missed anniversaries, sporting activities, family outings and weekends away.

At the time, there was always a reason for taking the job.

It was work.

It was income.

It was a client who needed me.

Looking back, however, I realised that I couldn’t get those moments back.

That changed the way I approached my business.

I was fortunate to eventually minimise the impact on my family life. I was able to schedule around my children’s school activities and sporting events and enjoy extended family holidays and trips around the United States.

Those are some of the memories I value most.

Not the hours spent sitting at my computer.

Set boundaries with your photography business

One of the simplest and most effective things you can do is establish boundaries.

Decide when you are working — and when you aren’t.

That might mean having certain evenings where you don’t answer emails, setting aside a regular family day or protecting particular dates in the calendar every year.

When my children were younger, Friday movie night was protected time. I also tried to schedule around their high-school sporting activities so I could be there on game nights.

The important thing is to treat those commitments as seriously as you treat a photography booking.

If a client asks whether you are available on a particular evening and you’re already committed to something important with your family, it is perfectly reasonable to say no.

You don’t have to explain your entire personal life.

You simply aren’t available.

Put family commitments in the calendar

One useful approach is to schedule family commitments before the photography diary fills up.

If you know that your child’s school play, a family holiday or an important birthday is coming up, put it in the calendar.

Then treat that date as unavailable for bookings.

This is particularly important for photographers who accept online bookings or enquiries months in advance.

The calendar doesn’t know which commitments matter most to you.

You do.

Learn to say no

This can be one of the hardest lessons for a self-employed photographer.

When you’re building a business, turning down work can feel completely wrong.

You might worry that another photographer will get the job.

You might need the income.

You might think that saying no will make the client go elsewhere.

But accepting every job isn’t necessarily the path to a successful business.

If taking one particular booking means working excessive hours, missing an important family occasion and leaving yourself exhausted for the following week, you need to consider whether that job is genuinely worth taking.

Sometimes the most profitable decision is the one you don’t make.

Make your photography business more efficient

Work-life balance isn’t simply about working fewer hours.

It’s also about making the hours you do work more productive.

Look at the repetitive tasks in your business and ask whether they can be simplified or automated.

For example:

  • Create email templates for common enquiries.
  • Automate appointment confirmations.
  • Use workflows for repetitive editing tasks.
  • Batch-process work where possible.
  • Schedule social media content.
  • Automate routine administrative tasks.
  • Create standard processes for client onboarding.
  • Keep commonly used documents and information readily available.

I’ve used automated email responses and workflows that allow batch processing to reduce the amount of time I need to spend at my desk.

Every small improvement gives you a little more time.

And those small amounts of time add up.

Delegate and outsource

You don’t necessarily have to do everything yourself.

As your photography business grows, consider which tasks genuinely need your personal attention.

Could somebody else handle your bookkeeping?

Could you outsource editing?

Could an assistant help with administration?

Could somebody maintain parts of your website?

Could you use software to automate tasks that currently take hours?

Of course, your budget matters.

If outsourcing isn’t financially viable, look for automation first.

The objective is the same: reduce the amount of time you spend on tasks that don’t require you personally.

Talk to your family

how to avoid burnout as a photographer

Work-life balance isn’t something you can work out entirely on your own.

Talk to the people around you.

Ask your partner and family how they feel about your workload and whether they think photography is taking up too much of your time.

And listen carefully to the smaller comments.

Sometimes somebody won’t sit down and say, “You’re working too much.”

Instead, you might hear:

“You weren’t here last week.”

Or:

“Are you working again tonight?”

Those comments are worth paying attention to.

Your family may not want to create confrontation, so don’t wait for a major argument before you address the problem.

Protect time for yourself

Family time is important, but so is having some time that isn’t devoted to either work or family responsibilities.

Make time for activities that allow you to switch off.

Go fishing.

Play sport.

Exercise.

Read.

Watch a film.

Take a walk.

Spend an afternoon doing absolutely nothing productive.

Take a holiday.

These aren’t necessarily distractions from your business.

They can be what allows you to return to your business with more energy and perspective.

If every waking hour is spent working, eventually the distinction between your life and your job disappears.

Plan your year around the things that matter

Photographers are used to planning.

We plan weddings.

We plan shoots.

We plan locations.

We plan equipment.

Apply the same thinking to your personal life.

At the beginning of each year, identify the events that matter to you and your family.

Put holidays, birthdays, school events, sporting fixtures and other important commitments into your calendar.

Then build your photography diary around them.

This doesn’t mean you can never work on a weekend or miss a family event.

Photography businesses sometimes require flexibility.

The goal is to make those decisions consciously rather than accidentally.

Build a business that fits your life

There’s another important question to ask:

What do you actually want your photography business to look like?

Success doesn’t have to mean shooting as many clients as possible.

Perhaps you want a four-day working week.

Perhaps you want fewer, higher-value clients.

Perhaps you want to photograph weddings only during certain months.

Perhaps you want to concentrate on commercial photography during the week and keep weekends free.

Perhaps you want a business that gives you more flexibility rather than one that maximises turnover.

There is no single definition of a successful photography business.

The best business model is one that supports the life you want to live.

Your family can be part of your success

It’s easy to think of family commitments as something competing with your business.

I don’t see it that way.

My family has been one of my biggest sources of support. They’ve encouraged me to improve, celebrated jobs won, awards received and profits made.

But they also appreciated the times when I was there for them.

That support matters.

A photographer who feels constantly exhausted, guilty or overwhelmed is unlikely to produce their best work indefinitely.

Protecting your personal life isn’t about taking your photography less seriously.

It can actually help you build a business that you can sustain for many years.

Don’t measure your life by your photography achievements

Awards are fantastic.

Great clients are fantastic.

A busy diary is fantastic.

Making money from something you’re passionate about is fantastic.

But those things aren’t everything.

Your children won’t grow up twice.

Family holidays can’t be repeated.

A missed school performance can’t be photographed later.

And the wedding you worked doesn’t necessarily matter more than the birthday you missed.

I don’t say that to discourage photographers from being ambitious.

Quite the opposite.

Build the business.

Take the great jobs.

Enter the competitions.

Win the awards.

Make the money.

But don’t allow the pursuit of those things to become so all-consuming that you miss the life you’re building the business to support.

Find your own balance

There is no magic formula for work-life balance.

Every photographer has different circumstances, responsibilities and ambitions.

What matters is being deliberate about the balance you want.

Set boundaries.

Plan ahead.

Improve your workflow.

Delegate where you can.

Learn to say no.

Talk to your family.

Protect important dates.

And make time for yourself.

Photography can be a wonderful career, but it doesn’t have to consume your entire life.

The real measure of success isn’t simply how many clients you photographed, how much money you made or how many awards you won.

It’s whether you can look back and feel that you built a successful photography career without missing the moments that mattered most.

David Hakamaki
ABOUT THE CONTRIBUTOR

David Hakamaki

Professional photographer, educator & international speaker

David Hakamaki, Cr.Photog., is an international speaker, educator and professional photographer based in Michigan, USA. He has run a successful full-time photography studio since 2002, building a six-figure business in a small rural community.

With a background in business, David combines his photography experience with expertise in sales, marketing, client relationships and business development. A regular speaker at photography conferences across the USA, Canada and the UK, he is passionate about helping photographers improve both their creative work and the business behind it.

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