The first full-frame autofocus zoom developed by a Chinese optical brand, in a constant f/2.8 internal-zoom design

Thypoch proudly announces the Thypoch today announced the Voyager 24-50mm f/2.8, the first full-frame autofocus zoom developed by a Chinese optical brand and Thypoch’s first AF lens. Built for Sony E-mount mirrorless cameras, the Voyager uses an internal zoom mechanism that holds physical length fixed across the focal range, with a constant f/2.8 aperture from 24mm through 50mm.

Three Primes in One Lens

A photographer working with primes typically carries 24mm, 35mm, and 50mm. Those three focal lengths cover the working distances that define documentary, reportage, environmental portrait, street, and event photography. The 24mm captures a full scene when there isn’t room to step back. The 35mm sees roughly the way the eye sees, which is why it remains the working perspective of reportage and documentary photography. The 50mm isolates a subject without flattening the space around it.

The 24-50mm range was chosen as a balance of size, design, and price point. It covers the focal lengths working photographers reach for daily. The Voyager fits an internal zoom mechanism, holds f/2.8 across the range, and stays compact enough to live on the camera all day.

The Voyager is designed to deliver image quality comparable to a dedicated prime across the zoom range, whether the working perspective is the breadth of 24mm, the reportage view of 35mm, or the subject isolation of 50mm. The result is one lens that does the work of three primes, in the size and weight of one.

Fixed Length, Constant Aperture

A fixed-length zoom that holds f/2.8 across the range removes two of the most common interruptions in fast-paced shooting: rebalancing a gimbal between focal lengths, and recalculating exposure as the aperture shifts.

The Voyager’s internal zoom mechanism keeps the barrel length constant from 24mm to 50mm. The center of gravity stays in place during a take. The fixed barrel is also more mechanically stable in the hand than an extending zoom, which translates to a steadier grip during handheld work.

The f/2.8 maximum aperture is held throughout the zoom range. From dim interiors and twilight streets to backlit portraits, f/2.8 delivers the brightness and subject separation that working photographers need when light is scarce. Exposure stays consistent across focal lengths. The lens stays out of the way of the shot.

The fixed barrel also eliminates lens creep when the camera is stowed, and removes the extending external moving parts that complicate weather sealing on conventional zooms.

A First for Chinese Optical Engineering

The Voyager is the first full-frame autofocus zoom developed by a Chinese optical brand. Combining autofocus, full-frame image coverage, and zoom architecture in a single lens requires coordinated development across optical design, mechanical engineering, AF systems, and electronics.

The Voyager’s autofocus system is designed for fast and quiet operation. Thypoch built the AF unit to stay out of the way of the shot, with response speed intended to keep pace with documentary, street, and event shooting, and quiet operation suited to video work and sound-sensitive environments. The lens features native Sony E-mount autofocus, with support for eye AF, AF-C tracking, and in-camera and lens-side AF/MF switching.

The lens has been tested with current-generation Sony Alpha bodies including the ZV-E1, A7C2, A7CR, A7IV, A7V, A7RIV, A7RV, A7SIII, A9III, and FX3.

Built for Bokeh

Rendering character is where Thypoch has built its reputation, and the Voyager carries that priority into autofocus. The optical design uses 16 elements in 13 groups, including 2 ASPH (aspherical) elements, 3 ED (extra-low dispersion) elements, and 3 HRI (high refractive index) elements. The formula is designed to control aberrations across the frame at all focal lengths.

The 10-blade rounded aperture holds its circular shape across most of the working aperture range, producing rounded out-of-focus highlights at mid apertures and sunstar rendering at smaller apertures.

Optical, Not Digital

The Voyager’s out-of-focus rendering is built into the glass, not added in software. Optical bokeh behaves naturally at the edges of the frame, around specular highlights, and in the transition zones that digital blur tends to flatten. The result is depth that holds up at full resolution and on close inspection.

The transition from sharp focus to background blur happens gradually, the way a lens with character renders rather than the way a lens that’s merely sharp does. Subjects sit forward in the frame with weight and presence, separated from the background without the harsh cutoff that flattens an image.

Sealed at Every Joint

Weather sealing is the difference between a lens that works in the conditions a photographer actually shoots in and a lens that has to be protected from them. The Voyager is built with sealed construction at the lens mount, focus ring, zoom ring, and front element. The internal zoom design contributes to sealing integrity by removing the extending external barrel that creates the most common point of moisture ingress on conventional zooms.

The lens is developed for dust and moisture resistance. Whether the shooting environment is coastal mist or a sudden urban downpour, the Voyager is built to keep working. Paired with Sony’s own weather-sealed Alpha bodies, the lens completes a sealed shooting system rather than introducing a weak point in it.

Cinema Zoom Heritage

The Voyager is Thypoch’s first autofocus lens. Its zoom architecture draws on the parent group’s experience in cinema zoom lens engineering, which includes constant-aperture and internal-zoom designs across multiple cine lens families. Cinema zooms are the discipline in which constant aperture and fixed barrel length were first solved as engineering problems. The Voyager applies that discipline to a stills-format AF lens.

Key Specifications

• Focal length: 24-50mm
• Maximum aperture: f/2.8 constant
• Optical formula: 16 elements in 13 groups (2 ASPH, 3 ED, 3 HRI)
• Aperture blades: 10 (rounded)
• Minimum focus distance: 0.3m across the zoom range
• Maximum magnification: 0.216x
• Filter thread: φ67mm
• Weight: 432g
• Length: 92.88mm
• Maximum diameter: φ73.6mm
• Mount: Sony E
• Weather rating: Dust and moisture resistance

Full specifications: dzolink.com/Voyager24-50mm

Price and Availability

• Launch price: USD $619 / EUR €539 (May 14 to May 31, 2026)
• MSRP: USD $649 / EUR €569
• The Thypoch Voyager 24-50mm f/2.8 is available in Sony E-mount.
• Standard package: lens body, front cap, rear cap, warranty card.
• Local availability from: Early June 2026
• Where to buy: thypoch.com/en/dealer

The post Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount appeared first on The Society of Photographers | International Photography Organisation.

Super-telephoto zoom with constant F4.5 aperture, autofocus up to 3x faster1,2, and outstanding mobility

Sony introduces the FE 100-400mm F4.5 GM OSS, the newest addition to its flagship G Master lens series for full-frame Alpha E-mount cameras. Covering a 100-400 mm focal range with a constant F4.5 aperture, the lens delivers the exceptional resolution and bokeh that define the G Master series, high-precision autofocus (AF) up to approximately 3x faster1,2 than the FE 100-400mm F4.5-5.6 GM OSS. Weighing approximately 65 oz. (1,840 g) with an internal zoom structure, its stable weight balance offers highly mobile shooting capabilities. The FE 100-400mm F4.5 GM OSS gives wildlife, birding, sports, and photojournalism creators the speed, reach, and image quality to capture decisive moments in any environment, expanding their creative possibilities.

“Our creators want super-telephoto reach with G Master optical quality in a body light enough to shoot handheld all day. The FE 100-400mm F4.5 GM OSS delivers constant F4.5 aperture, dramatically faster autofocus, and a build that keeps up with the user’s instincts, whether tracking a bird in flight or working the sideline at a championship match,” said Yoshioka Naoto, Head of Marketing, Imaging, Products and Solutions, Sony Europe.

Key features of FE 100-400mm F4.5 GM OSS G Master:

Uncompromising G Master Optics

• Resolves fine detail across the full 100-400 mm zoom range, even wide open at F4.5
• Optical design featuring newly developed ED XA (Extra-low Dispersion extreme aspherical), XA (extreme aspherical), two Super ED (extra-low Dispersion), and three ED glass elements, effectively controlling multiple aberrations including chromatic and spherical aberration to achieve exceptional resolution from center to edge across the entire zoom range
• Nano AR Coating II reduces ghosting and flare for high-contrast results in backlit conditions
• 11-blade circular aperture with precision spherical aberration control produces the signature G Master bokeh
• Constant F4.5 maximum aperture eliminates exposure shifts while zooming
• Compatible with optional teleconverters3 for focal lengths up to 800 mm or 1,200 mm in APS-C mode4

Autofocus That Keeps Pace with the Action

• Four custom-optimized XD (extreme dynamic) Linear Motors, a floating focus mechanism, and the latest AF algorithms deliver AF speeds up to 3x faster1,2 with approximately 50 % improved subject tracking2
• Fully compatible with Alpha 9 III continuous shooting at up to 120 fps5 with AF/AE tracking

Lightweight Build, Exceptional Mobility

• Combining the latest optical design, mechanical engineering with lightweight yet robust magnesium alloy barrel components, and high-efficiency, high-thrust XD Linear Motors, the lens achieves a lightweight and robust body at approximately 65 oz. (1,840 g)
• Inner-zoom design maintains constant length and stable center of gravity throughout the zoom range for precise framing adjustments without shifting balance

Professional-Grade Control and Reliability

• Built-in stabilization supports Active Mode and coordinates internal stabilization control on compatible bodies
• Supports the camera body’s breathing compensation6, correcting angle-of-view shifts during focus adjustments in video recording
• Four focus hold buttons7 and a dedicated function ring for intuitive, personalized operation in the field
• Dust and moisture resistant design8 with fluorine front-element coating maintains reliable performance in challenging conditions

Pricing and Availability

The FE 100-400mm F4.5 GM OSS will be available in June for approximately €5,000 / 4,400GBP.

Sony’s other imaging products can be found at Alpha Universe

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Entering photography competitions can be one of the fastest ways to grow creatively and technically as a photographer. Whether you photograph pets, portraits, weddings, landscapes or commercial work, competition judging teaches you to look at your images differently, not just as a client would see them, but as an image-maker striving for excellence.

Drawing from insights shared by photographer Jessica Govern, here are five practical tips to help strengthen your competition entries and improve your results.

1. You Can’t Polish a Bad Image

It’s a blunt phrase, but it’s true.

No amount of Photoshop magic, overlays, effects or dramatic editing can completely rescue an image that lacks strong foundations. Judges can usually tell when an image relies heavily on post-production to compensate for weak lighting, messy composition or poor capture technique.

If an image is:

• Flat and lacking depth
• Cluttered or distracting
• Poorly lit
• Technically weak
• Over-retouched

…then it’s unlikely to score highly, regardless of how engaging the subject might be.

Competition judges review thousands of images every year. They become highly attuned to lighting quality, composition, retouching consistency and technical execution. Strong competition images usually begin with a strong capture in-camera.

Before entering an image, ask yourself:

• Does the light enhance the subject?
• Is the composition intentional?
• Is the background helping or hurting the image?
• Would this image still work with minimal retouching?

A strong image should already have impact before editing begins.

For photographers looking to better understand how judges evaluate images, the guide on What the Judges Are Looking For is an excellent place to start.

2. Competition Work Needs to Go Beyond Standard Professional Practice

A good client image is not always a strong competition image.

That doesn’t mean your everyday work lacks quality. In fact, professional-standard photography is exactly what clients expect. However, competition judging often rewards images that push beyond standard professional practice into something more distinctive, impactful or memorable.

Judges are constantly asking:

• What elevates this image?
• What makes it stand out?
• What demonstrates exceptional skill, creativity or vision?

This “next level” can come from:

• Exceptional lighting
• Powerful storytelling
• Strong emotional impact
• Unique perspective
• Excellent colour harmony
• Refined retouching
• Memorable composition

Sometimes the difference is subtle. An image may technically tick every box, but another image simply has more presence, atmosphere or visual strength.

The challenge for photographers is recognising where their own work sits. One of the best ways to develop that understanding is by regularly studying award-winning images and entering competitions consistently.

The Monthly Image Competition provides photographers with valuable feedback, inspiration and benchmarking opportunities across multiple genres.

You also begin to develop a stronger instinct for identifying:

• Below professional practice
• Early professional practice
• Standard professional practice
• Above professional practice
• Award-winning work

The more images you analyse, the easier it becomes to understand what separates a solid image from an exceptional one.

3. Impact Matters – But Technical Quality Still Counts

An image with strong impact can immediately grab attention, but impact alone won’t necessarily carry an image through judging if technical issues are present.

Common technical issues judges notice include:

• Incorrect focus placement
• Poor depth-of-field choices
• Chromatic aberration
• Inconsistent retouching
• Distracting edits
• Weak lens selection
• Composition problems

An image may initially create a “wow” reaction, but once judges start examining the details, technical flaws can quickly lower scores.

The strongest competition entries balance:

• Emotional impact
• Technical precision
• Strong composition
• Controlled lighting
• Clean retouching
• Effective storytelling

This balance is often what separates high-scoring images from category winners.

4. Different Judges See Different Things

One important thing to remember about competitions is that judging is never entirely objective.

Some judges naturally respond more emotionally to storytelling and narrative. Others are more technically focused and pay closer attention to lighting precision, retouching and composition.

That’s why judging panels are so valuable. A panel creates balance between different perspectives and photographic specialities.

An image with incredible emotion but technical weaknesses may divide opinion.

Equally, a technically flawless image may struggle to resonate emotionally with certain judges if it lacks atmosphere or narrative.

The goal is to create images that combine both:

• Strong technical execution
• Emotional connection
• Visual impact
• Intentional storytelling

This won’t happen every time, and that’s perfectly normal. Even highly successful competition photographers produce many solid professional images alongside only a few truly standout pieces.

Photography competitions are as much about learning and refining your vision as they are about winning awards.

Working with experienced photographers can accelerate that growth significantly. The Photography Mentoring Program offers photographers guidance, feedback and support to help improve both technical and creative skills.

5. Simple Is Often Stronger

One of the most overlooked principles in competition photography is simplicity.

Simple does not mean boring.

It doesn’t mean removing all detail or turning every background into complete blur. Instead, simplicity means controlling where the viewer looks.

Strong competition images guide the viewer intentionally through:

• Clean composition
• Controlled distractions
• Effective use of light
• Subject separation
• Clear visual hierarchy

In many successful images:

• The brightest area is the subject
• The composition directs the eye naturally
• Background elements support rather than compete
• The scene feels intentional and uncluttered

Whether photographing:

• A portrait
• A pet
• A building
• A landscape
• A boat
• A wildlife scene

…the principle remains the same: help the viewer understand exactly where to look and what matters most within the frame.

Simplicity creates clarity, and clarity often creates stronger impact.

Keep Entering, Keep Learning

Competition photography can feel intimidating, especially when comparing your work against experienced photographers. But entering competitions regularly is one of the best ways to improve your photography, refine your editing, strengthen your storytelling and develop consistency in your work.

Even images that don’t score highly can teach valuable lessons.

The key is to keep creating, keep analysing and keep refining your craft.

If you’re ready to challenge yourself and grow as a photographer, explore the latest Open Photography Competitions or take the next step and Become a Member Today to access competitions, mentoring, education and a supportive photographic community.

The post Five Tips to Improve Your Awards Photography appeared first on The Society of Photographers | International Photography Organisation.

Sony today introduces the Alpha 7R VI, the sixth generation of its celebrated Alpha 7R series. Built on the series’ legacy of leading resolution, this full-frame mirrorless camera pairs an approximately 66.8 effective megapixel back-illuminated fully-stacked Exmor RS CMOS sensor with the new BIONZ XR2 engine. The result: exceptional resolution, accurate color, and reliable performance across subjects ranging from people in motion to wildlife to expansive landscapes.

Sony also introduces the XLR-A4 XLR adaptor to expand on-camera audio capabilities for professional productions, including 32-bit float recording.

“The Alpha 7R series stands for image quality you can trust on screen, in print, and in the most demanding conditions. The Alpha 7R VI takes that further with the speed, intelligence, battery life, and viewfinder quality our creators have been asking for. Every decision strengthens what this series does best and makes it work harder for the people who rely on it,” said Yoshioka Naoto, Head of Marketing, Imaging, Products and Solutions, Sony Europe.

Alpha 7R VI Key Features:

• Expanded High-Resolution Shooting
• 66.8 MP (approximate, effective) full-frame fully-stacked Exmor RS sensor with up to 16 stopsof dynamic range and reduced noise in the mid-sensitivity range
• Precise 5-axis optical image stabilization delivering up to 8.5 stops at the center and 7.0 stops at the periphery
• Auto White Balance powered by visible light and infrared (IR) sensor and deep-learning illumination estimation, for stable natural color in shaded or indoor scenes
• Intelligence in Every Frame with High-Speed, High-Precision Continuous Shooting
• BIONZ XR2 engine with integrated AI processing unit and approximately 5.6x faster sensor readout than the previous model, enabling blackout-free continuous shooting at up to approximately 30 fps6delivering up to 60 AF/AE calculations per second with AF/AE tracking
• Real-time Recognition AF+ (Plus) with skeletal-based human pose estimation and tracking, for reliable focus on fast-moving subjects including athletes and dynamic scenes

Built for Professional Demands

• New NP-SA100 high-capacity battery (2670 mAh) supports up to 710 still images via LCD monitor or 600 via viewfinder (CIPA standard), reducing battery changes during extended shoots
• Approximately 9.44M dot OLED viewfinder with a DCI-P3 equivalent color gamut and 10-bit HDR—maximum brightness is approximately three times higher than conventional models for clear visibility in bright environments
• Effective heat management allows uninterrupted 8K movie recording up to 120 min
• Dual USB Type-C ports for simultaneous charging and data transfer; illuminated rear buttons for low-light operation
• Magnesium alloy for a lightweight and durable body; 4-axis multi-angle LCD monitor for flexible shooting angles; mode-dial “Memory Recall” links shooting setups to customizable buttons
• Supports Sony’s Camera Authenticity Solution, including the C2PA standard, enabling verification that still images and videos were captured with a camera (not AI-generated)

Professional Video

• 8K 30p recording with 8.2K oversampling and full frame 4K 60p and 120p recording without cro
• Dual Gain Shooting, a first in the Alpha series, optimizes sensor performance to reduce noise losing shadow detail for smooth gradation and wide latitude
• Redesigned in-camera stabilization expands the roll-direction compensation range by 2x; Dynamic active Mode delivers smooth and steady handheld
• 32-bit float audio internal recording in camera when paired with the XLR-A4 XLR adaptor, eliminating the need for fine adjustment on location

Key Features of the XLR-A4 XLR Adaptor

• Supports in-camera digital audio recording with up to 4-channel; XLR microphones, such as the ECM-778 (up to 2ch), and connects 3.5 mm stereo mini jack microphones (2ch stereo) via the Multi Interface (MI) Shoe
• Dual AD converters digitize microphone signals across a wide dynamic range, capturing quiet ambience through loud action with clarity
• Records digital audio at up to 96kHz 32-bit float 4ch on compatible cameras, fully leveraging high-end XLR microphone quality. The 32-bit float format eliminates the need for fine gain adjustment on location, significantly reducing the risk of audio distortion
• Lower profile height design and a reinforced chassis structure compared to the XLR-K3M, supporting stable shooting across on-location scenarios
• Supplied shoe audio extension cable allows placement up to approximately 60 cm from the camera; side routing minimizes interference with rigs and accessories
• USB Audio Class 2.0 compatible; functions as a 96 kHz 24-bit 2ch audio interface when connected to a PC for on-site audio monitoring and editing

Pricing and Availability:

The Alpha 7R VI (ILCE-7RM6) is available from June 2026 for approximately 5,100 EUR / 4,400 GBP.The new XLR-A4, XLR adaptor is available from June 2026 for approximately 750 EUR / 660 GBP.

https://www.sony.co.uk

The post Sony Accelerates High-Resolution Photography with the Alpha 7R VI appeared first on The Society of Photographers | International Photography Organisation.

Canon a leader in digital imaging solutions, today announced the launch of the new full-frame EOS R6 V camera, the RF20-50mm F4 L IS USM PZ lens and accessories designed to empower the content creators and advanced videographers of today who seek flexibility, portability and high-end video performance in one powerful package. The EOS V-series lineup from Canon answers this call and delivers advanced video tools in a streamlined, creator-friendly system designed to let creativity soar.

Make Movie Magic with the EOS R6 V Camera

A new addition to the EOS V-series lineup specifically built for video capture, the EOS R6 V camera is designed for creatives who capture video on a daily basis who want control, operability, and reliability, with limited creative constraints. Designed for handheld and gimbal shots, the camera features robust in-body IS as well as a 7K / 32.5MP full-frame CMOS sensor, 7K 60p RAW, 7K 30p Open Gate, and support of Slow and Fast Mode. From short-form social video to long-form video productions and podcasts, the EOS R6 V camera is a powerful tool for exploring the expansive possibilities of self-produced storytelling.

Key features include:

• 32.5MP full-frame CMOS sensor, 4K up to 60p oversampled recording, and uncropped 4K 120p to deliver high-quality slow motion.
• Advanced AF tracking optimized for video shooting, smooth autofocus performance for video, and in-body image stabilization for handheld shooting.
• Enhanced operability and reliability, including a compact, flat body design with reduced profile, vertical shooting support with dedicated vertical tripod mount, and integrated zoom lever and tally lamp.
• Internal cooling fan helping to enable extended shooting times.

Zooming In on Creativity

Every filmmaker toolkit needs a standout zoom lens, and the new RF20-50mm F4 L IS USM PZ zoom lens is an outstanding option. This full-frame compatible L-Series, RF mount lens is Canon’s first L-series lens to feature built-in power zoom without the need for additional accessories. With a versatile 20mm to 50mm focal range, it provides ultra-wide angle views, and zooms through to a standard field of view – bringing subject details within reach. The lens enables high-quality video imagery, balancing lightweight agility with professional-level performance.

Key features include:

• Built in power zoom, with the ability to switch between manual and power zoom functionality, all controlled from a single zoom ring.
• Constant f/4 aperture across the zoom range, maintains consistent image brightness while zooming from the expansive view of the 20mm wide, to the detailed 50mm telephoto setting, providing versatility for video and photo shooting.
• Internal optical zoom design, for a balanced center of gravity essential for gimbal use.
• Compact, lightweight design supporting comfortable and long-duration handheld and gimbal video shooting.
• Ability to remotely power zoom the lens using the Canon Camera Connect app or through the use of Canon wireless Bluetooth^® enabled remotes such as BR-E2 and BR-E1.

Accessories Designed for Flexibility

To complement the EOS R6 V camera and RF20-50mm F4 L IS USM PZ lens, Canon is debuting a range of optional accessories tailored to modern content production, including:

• BR-E2 Wireless Remote Control: The BR-E2 Wireless Remote Control is a next-generation Bluetooth^® Low Energy remote supporting the new EOS R6 V camera as well as all other EOS cameras (excluding the EOS R100) or PowerShot cameras released from August 2022 onwards. Features include lever-operated zoom operations and exposure compensation, making it an ideal accessory for vlogging, livestreaming and solo shooting.
• HG-200TBR Multi-Function Tripod Grip: Features a versatile combination tripod and hand grip that is designed for both horizontal and vertical formats and supports both video and still shooting. A movie record button and zoom and exposure compensation levers provides smooth and intuitive movie shooting. Included with the HG-200TBR Multi-Function Tripod Grip, is the BR-E2 Wireless Remote Control.
• AD-M1 Macro Lite Adapter Set: A specialized accessory set designed for use with macro lenses and select standard lenses. The kit includes a mount ring, micro lite adapter and flash head mount, enabling enhanced close-up photography and creative lighting control.

New Content Creator Kits

To empower creators of all varieties, Canon is also launching new content creator kits including:

• Creator Accessory Kit II: Stereo Microphone DM-E100, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2
• PowerShot V1 Video Creator Kit: PowerShot V1 camera, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2
• EOS R50 V Video Creator Kit: EOS R50 V camera and RF-S14-30mm F4-6.3 IS STM PZ Lens Kit, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2

Availability

The Canon EOS R6 V camera body only, kit with the RF20-50mm F4 L IS USM PZ lens, or the Stop Motion Animation Firmware are expected to be available in late June and July for an estimated retail price of $2,499.00, $3,699.00 and $2,599.00 respectively, The Canon RF20-50mm F4 L IS USM PZ lens is expected to be available in late June for an estimated retail price of $1,399.00.

The BR-E2 Wireless Remote Control, HG-200TBR Multi-Function Tripod Grip and AD-M1 Macro Lite Adapter Set are expected to be available inlate June for an estimated retail price of $69.99, $159.99, $179.99 respectively

The Creator Accessory Kit II, PowerShot V1 Video Creator Kit and the EOS R50 V Video Creator Kit are expected to be available inearly July for an estimated retail price of $249.99, $1,279.00 and $1,199.00 respectively.

For more information about Canon’s latest innovations and products, please visit www.usa.canon.com.

The post Canon Unveils New EOS R6 V Full-Frame EOS Camera and RF20-50mm F4 L IS USM PZ Built-In Power Zoom Lens Empowering Creators to Achieve Maximum Creative Expression in Motion appeared first on The Society of Photographers | International Photography Organisation.

Panasonic is proud to introduce the LUMIX L10 (DC‑L10), a new fixed lens camera created for photographers who value intuitive control, refined design, and exceptional image quality. Developed in Osaka, Japan, the LUMIX L10 embodies Panasonic’s belief that a camera should feel instinctive in the hand, allowing the user to focus entirely on the subject and bringing any creative vision to life.

Celebrating 25 Years of LUMIX

To mark the 25th anniversary of LUMIX, the LUMIX L10 will be available in three color variations: Black, Silver, and a commemorative Titanium Gold Special Edition. This milestone special edition celebrates LUMIX’s heritage and design vision. Inspired by the LUMIX’s philosophy of “Shaping Emotions”- (Mushin), the LUMIX L10 brings together trusted craftsmanship, timeless aesthetics, and advanced imaging technology in a compact body. A signature saffiano leather-textured finish defines the camera’s look, complemented by a high-quality metal exterior and magnesium alloy front case, offering a contemporary and enduring design.

The Titanium Gold Special Edition LUMIX L10 also comes with several exclusive features, including a refined menu interface adopting a Titanium Gold theme to create visual harmony with the exterior, subtly placed rear branding that remains visible only to its owner and support for commercially available screw-in shutter buttons for personal customization. A selection of dedicated accessories are also unique to the Titanium Gold kit, these are additional auto lens cap, shoulder strap, and lens cloth. The Titanium Gold Edition will be available through limited sales channels, primarily via the official Panasonic Store with availability varying by region.

Weighing approximately 508g / 1.12 lb, the LUMIX L10 is built to carry all day, with an intuitive layout for one‑handed operation. It’s tactile controls and balanced design creates a seamless shooting experience, enabling photographers to capture moments freely, without distraction, particularly suited for street, travel and everyday photography.

Premium optics and Imaging Performance

The LUMIX L10 features a LEICA DC VARIO-SUMMILUX 24-75mm lens with an F1.7–2.8 aperture, combining expressive depth, beautiful bokeh, and versatile performance. A precision-machined metal barrel and manual aperture ring enhance tactile control, while AF macro shooting from as close as 3 cm at the wide end broadens creative possibilities. Whether capturing sweeping landscapes, intimate portraits, or documentary work, the lens delivers delicate gradations of light and shadow with better clarity.

With a 20.4MP resolution, it delivers rich texture, natural color, and refined tonal gradation. The 4/3 type back-illuminated (BSI) CMOS image sensor and latest image processing engine deliver higher image quality. Dynamic Range Boost further enhances tonal richness, delivering expanded shadow detail in still photography.

Another stand out feature is that the L10 also incorporates a multi-aspect shooting capability. By utilizing a sensor larger than the lens image circle, it maintains a consistent angle of view across 4:3, 3:2, and 16:9 aspect ratios, providing greater compositional flexibility without altering framing.

Creative Color and Workflow Integration

Guided by Panasonic’s picture‑making philosophy of “Capturing It All,” LUMIX color science is designed to deliver realistic reproduction, creating images that feel natural, rich, and emotionally engaging. In addition to LUMIX’s signature Photo Styles, the LUMIX L10 introduces new film-inspired looks, including L.Classic, with soft tones and muted colors for a gentle, delicate atmosphere, and L.ClassicGold, featuring warm amber highlights and nostalgic contrasts.

With REAL TIME LUT, users can load custom LUTs directly into the camera and preview the final look while shooting. Up to two LUTs can be layered for added creative flexibility. Using the LUMIX Lab app, users can further expand their options by generating LUTs from their favorite images with Magic LUT, powered by AI-based color analysis

To support capturing those decisive moments, the LUMIX L10 features Phase Hybrid AF with 779 focus points, advanced AI-based eye, face, and subject recognition (including Urban Sports), high-speed continuous shooting at up to 30 fps with the electronic shutter, and reliable optical image stabilization for stable handheld capture.

A 2.36-million-dot OLED viewfinder and a 1.84-million-dot free-angle monitor, both supporting a vertically optimized UI, provide flexible framing for modern shooting styles. The LUMIX L10 supports both still and short-form video workflows, including MP4 (Lite) for quick social sharing, along with high-speed transfer and editing via the LUMIX Lab app.

Built for Everyday Creativity

The LUMIX L10 combines refined design with advanced imaging to support creativity confidently and beautifully, allowing photographers to focus on the moments and emotions before them. Panasonic will continue to empower creators and expand the possibilities of visual expression for further years ahead.

https://www.panasonic.com/uk/

The post Celebrating 25 years of LUMIX: Panasonic Announces New LUMIX L10 Fixed Lens Camera appeared first on The Society of Photographers | International Photography Organisation.

We are excited to announce a brand-new evening seminar designed to help photographers create professional-quality portraits using simple and effective lighting techniques – Simple Studio Lighting for Maximum Results with Scott Johnson.

With over 20 years of experience and recognised as a Grand Master of The Society of Photographers, Scott Johnson is best known for his award-winning wedding photography. Now, with studio portraiture becoming an increasingly important part of his business, Scott is sharing the practical lighting techniques he uses to achieve maximum impact with minimal fuss.

Learn How Simplicity Can Transform Your Portraits

This practical evening seminar is all about making studio lighting approachable and effective. Scott will demonstrate how simple lighting setups can dramatically improve your portrait photography without the need for excessive equipment or overly complicated techniques.

Through live demonstrations and hands-on shooting, delegates will gain a clearer understanding of light placement, shaping light, and creating portraits with depth, mood, and separation.

What’s Included

• Live demonstrations of simple but highly effective lighting setups
• Easy-to-understand explanations of lighting direction and control
• Practical techniques for creating professional portrait lighting
• Hands-on shooting opportunities with guidance throughout
• Time to ask questions and network with fellow photographers

Event Details

Date: Wednesday, June 10, 2026
Time: 7:00 PM – 9:30 PM
Location: The Edge Photography, Unit 24, Office 4, Highlands Farm, Southend Road, Rettendon, CM3 8EB

Tickets

Tickets are £30 each, including refreshments.

Spaces are limited and expected to fill quickly, early booking is recommended.

Book Now

Book your place online today:
Simple Studio Lighting Evening Seminar

Please note: All bookings are final. No refunds.

The post New Evening Seminar Announced: Simple Studio Lighting for Maximum Results appeared first on The Society of Photographers | International Photography Organisation.

Shimoda Design, the Adventure Photography brand, announces the launch of the new Urban Explore Waist Belt, designed to deliver enhanced comfort, stability, and load distribution for creators on the move.

Developed as an accessory to complement the Urban Explore backpack series, the Waist Belt has been engineered to transfer weight from the shoulders to the hips, reducing fatigue during longer shoots or commutes. Whether navigating city streets or carrying heavier loads on extended days, the belt provides additional support where it matters most.

Constructed using CORDURA re/cor™ fabric, the belt not only delivers durability and performance, but also aligns with Shimoda’s commitment to sustainable materials.The lightly padded design ensures all-day comfort, while dual-adjust slip-locks allow users to fine-tune the fit quickly and precisely.

Creators benefit from increased versatility thanks to compatibility with Shimoda Top Loader bags. The belt can be integrated to create a hip pack or sling-style configuration, offering flexibility for those who prefer a lighter, more agile carry setup.

Giles House, Product Marketing Manager, Shimoda Design, commented, “The Urban Explore Waist Belt is a natural extension of the Urban Explore system. It’s designed for creators who need greater comfort and support when carrying heavier gear, while maintaining the clean, functional design Shimoda is known for.”

With an adjustable range designed to fit a wide variety of users, the belt incorporates Shimoda’s inward-pull dual-adjust system. This design eliminates pressure points and delivers a more refined, ergonomic fit compared to traditional centre-adjust belts.

Key features include:

Improved Weight Distribution
Transfers load from shoulders to hips, reducing strain and improving comfort during extended use.

Top Loader Compatibility
Integrates seamlessly with Shimoda Top Loader bags to create alternative carry options such as hip packs or sling systems.

Wide Adjustability Range
Fits a broad range of waist sizes, with compatibility for additional belt extension accessories if required.

Dual-Adjust Fit System
Inward-pull adjustment design eliminates pressure points and ensures a secure, comfortable fit.

Recycled Materials
Constructed using Cordura re/cor recycled fabric for durability, performance, and reduced environmental impact.

Pricing & Availability

The Urban Explore Waist Belt will be available in Anthracite and Boa colourways, with a suggested retail price of £21.00 / €23.00.

https://uk.shimodadesigns.com

The post Urban Explore Waist Belt: Built for Heavier Days, Designed for Comfort appeared first on The Society of Photographers | International Photography Organisation.

EIZO Corporation today introduced the ColorEdge CS3200X – a 31.5‑inch 4K UHD (3840 x 2160) color management monitor joining the ColorEdge CS Series lineup. The CS3200X combines core ColorEdge technologies with added value for diverse workflows, supporting the shared needs of videographers, photographers, designers, and other visual storytellers who rely on consistency, precision, and dependable color.

As visual creation spans a broader range of practices and continues to shift toward higher resolutions, tools capable of supporting diverse needs have become essential to modern creative workflows. As the first 31.5-inch 4K model in the ColorEdge CS Series, the CS3200X provides a workspace designed for these requirements. Its generous screen size keeps timelines, layers, and tools comfortably in view, while the detailed 4K resolution renders images and video with crisp detail, allowing creators to discern fine textures and tonal transitions with greater precision.

With 99% Adobe RGB and 96% DCI‑P3 coverage, the monitor reproduces key color spaces used across photography, video, print, and design. Preset modes for DCI-P3 and BT.709 support standard video workflows, while Display P3 ensures consistency with mobile devices and MacBook computers. Each preset is easily accessible from the on-screen display, enabling intuitive switching to the appropriate color space for any project.

The monitor supports both industry-standard transfer functions – Hybrid log-gamma (HLG) for broadcast and Perceptual Quantization (PQ) for film and streaming production. These gamma curves expand the monitor’s ability to display HDR content, presenting highlights and shadows with greater dimensionality and nuance so creators can evaluate detail separation in conditions that align with modern HDR-ready delivery formats.

The new three-sided frameless design minimizes borders to reduce visual interruptions and brings a modern, immersive aesthetic to any creative workspace. The CS3200X also delivers noiseless, fanless operation to support a calm and focused environment.

In addition to DisplayPort^™ and HDMI^® terminals, the monitor’s USB Type-C^® connectivity delivers video signal, USB data, and up to 70 W power delivery through a single cable, supporting mobile and hybrid environments where creators move between laptops and different workstations. The CS3200X is also the first model in the CS Series to feature Sync Signal, which automatically adjusts brightness, gamma, and color gamut according to the input signal’s metadata. This ensures accurate viewing conditions when switching between SDR and HDR or moving across color spaces, reducing manual steps and maintaining consistency from the start of each project.

The CS3200X is also the first model in the CS Series to come bundled with a light-shielding hood. The hood requires no assembly and attaches magnetically to the monitor for quick and secure installation.

As part of EIZO’s commitment to sustainability, a portion of the plastic used in the monitor is recycled plastic to help reduce environmental impact and promote resource conservation.

Additional Features

・Supports ColorNavigator 7 color management software and EIZO or third-party external sensors for calibration

・Smooth gradations with 10-bit simultaneous display from a 16-bit LUT¹

・Screen uniformity with patented digital uniformity equalizer (DUE) technology

・5-year manufacturer’s warranty²

Availability

The ColorEdge CS3200X will begin shipping in June. The date of availability varies by country or region. Contact the nearest EIZO group company or distributor for more details.

https://www.eizoglobal.com/sustainability

The post EIZO Releases 31.5-inch 4K Color Management Monitor Designed to Serve the Shared Needs of Diverse Creative Workflows appeared first on The Society of Photographers | International Photography Organisation.

LK Samyang, a global leader in optical innovation, proudly announce the introduction of Samyang’s second L Mount lens since joining the L Mount alliance – The AF 14-24mm F2.8 L Mount. The lens is also a further example of the continued collaboration between Samyang and Schneider-Kreuznach. Combining Samyang’s advanced manufacturing and autofocus technologies with Schneider’s optical expertise, this product shares everything you’ve already come to know and love from the existing Sony FE Mount version of this optic.

This new L-mount version of the AF 14-24mm F2.8 maintains the same optical performance and key specifications as the original FE mount version, while featuring a compact length of approximately 87mm, an ultra-lightweight design of just 441g, and a minimum focusing distance (MOD) of 0.18m. Through this expansion, Samyang aims to offer a broader range of options to global users across diverse camera systems.

KEY FEATURES

• Co-developed optical design with Schneider-Kreuznach
  Combining German optical precision with LK Samyang’s advanced AF technology
• Ultra-wide 14-24mm zoom range
  Expansive field of view from 114.2º to 24mm for versatile shooting
• Constant F2.8 aperture
  Reliable performance in low-light conditions with excellent depth control
• Compact & lightweight design (441g)
  Exceptional portability compared to other ultra-wide zoom lenses
• 77mm front filter compatibility
  Rare feature in ultra-wide zoom lenses, enabling creative filter use
• Minimum focusing distance of 0.18m
  Enables dynamic close-up shots with strong perspective

Craig Harrison, Senior Product Manager, Holdan, commented:

“It’s great to see Samyang’s continued investment in the L-Mount Alliance, and the new AF 14-24mm F2.8 L-Mount further highlights their ongoing collaboration with Schneider-Kreuznach. Like the existing Sony FE Mount version, I expect this lens will be a great choice for users looking for a wide-angle zoom that combines excellent optical performance with a great feature set and a compelling price tag.”

Availability – Available to order now. Stock is expected to start shipping in May.
Loan/Demo Product – We have samples for loaning out to customers. Please contact us if you need to arrange a loan or demo.

For more information, visit https://www.holdan.co.uk/brand/Samyang

The post LK Samyang Expands Its Co-Developed Super-Wide Zoom AF 14-24mm F2.8 FE to L-Mount appeared first on The Society of Photographers | International Photography Organisation.