The new benchmark in reference-grade monitoring with superior image quality, subpixel accuracy, and a breakthrough form factor.

Atomos (9.C05) announces a technology preview of the most advanced reference-grade monitor to date, setting a new benchmark in professional image accuracy, workflow integration, and user experience. Designed for colorists, editors, and image professionals who demand absolute fidelity, the Studio PRO-2710 integrates innovations that redefine what’s possible in professional visualization.

For decades, true reference monitors have been bulky, fragile, and prohibitively expensive, often costing tens of thousands of dollars and occupying half a desk. The Studio PRO-2710 breaks that mold. By combining next-generation OLED panels, advanced image processing, and a calibration-first design, Atomos has made uncompromising reference-grade monitoring available in a slim, portable form factor that finally matches the needs of modern creative workflows.

At the heart of the Studio PRO-2710 is an OLED panel with a vertically aligned subpixel structure, a design choice that eliminates color fringing, chromatic aliasing, and fine-detail distortion common to non-vertical QD-OLED layouts. The result is cleaner edges, more accurate typography rendering, pixel-perfect sharpness across the entire frame, and uncompromised accuracy in both color and detail rendering.

Color management is elevated with true 33³ 3D LUTs and tetrahedral interpolation, the gold standard for precision rendering. Every hue, gradient, and tonal transition is mapped with uncompromising accuracy, giving creatives confidence that what they see is what the world will see. And unlike other monitors, the PRO-2710 makes these LUTs visual and interactive.

Users can spin, preview, and analyze color transforms in real time via a groundbreaking patent-pending 3D LUT preview interface.

“Having pioneered dual-layer mastering display technology for eCinema and contributed to the display systems inside SpaceX’s Crew Dragon spacecraft, I’ve been fortunate to work at the very edge of what’s possible in visualization,” said Martin Euredjian, Director of Advanced Imaging at Atomos.

“The Studio PRO-2710 is the direct result of that journey. Every lesson learned, whether in mastering-grade eCinema or in aerospace-critical systems has been distilled into this monitor. The Studio PRO-2710 is more than a display. It is a reference environment, designed to give colorists, editors, and imaging professionals the confidence that what they see is what the world will see.”

The STUDIO PRO-2710 also solves one of the biggest frustrations in grading suites: the viewing environment itself. It integrates a patent-pending sensor-calibrated surround lighting system, the first of its kind, ensuring that the ambient light in the room is part of the same calibration pipeline as the screen. Every session begins in a perfectly controlled reference environment, giving professionals the consistency they’ve always demanded but never had.

The monitor comes pre-loaded with an extensive library of factory-calibrated presets, ready for immediate use across a wide range of professional environments. Users can also recalibrate on-site with the new Atomos Studio K-100 spectral calibration probe, ensuring accuracy from on-set dailies all the way through to final delivery. And when shared across multiple studios or locations, the PRO-2710 allows distributed teams and clients to view identical color-accurate images, making remote approvals faster and more reliable than ever.

“With this monitor, we are redefining what reference-grade means,” said Peter Barber, Atomos CEO. “For the first time, creative professionals can have true reference quality in a form factor that fits naturally on a desktop or in a home studio, places where a traditional high-end broadcast reference monitor could never go.”

“Just as importantly, the Studio PRO-2710 can be easily installed at a client’s office. That means as you send finished work, reviews, or works-in-progress, you can guarantee they are seeing exactly the same colors and the same quality of image you are producing. It makes approvals faster, cloud-based workflows more efficient, and gives everyone complete confidence that what’s on screen is exactly how it will be presented to the world. That consistency has always been one of the hardest problems in post-production, and the Studio PRO-2710 is designed to solve it.”

The Studio PRO-2710 reference-grade monitor introduces:

• Patent-pending sensor-calibrated surround lighting system that integrates the viewing environment into the monitor’s calibration pipeline for unmatched consistency.
• Front-facing I/O ports, four integrated USB-C ports for peripherals, asset imports, and calibration probe connection, no more hunting for cables behind the desk.
• Patent-pending 3D LUT preview interface, makes color transforms visual and interactive, enabling real-time exploration and analysis.
• Touchpad-driven interface, a control experience inspired by modern mobile devices, enabling deep preset management, rapid switching, and fingertip precision.
• The most advanced FPGA-based image processor, ensures every pixel is delivered with uncompromising precision for true reference accuracy.

To learn more, visit the Atomos website at www.atomos.com.

The post Atomos Previews Studio PRO-2710 Reference Monitor appeared first on The Society of Photographers | International Photography Organisation.

THE MOST ADVANCED NINJA EVER: ALL-NEW DESIGN WITH SDI, CFEXPRESS, INTEGRATED CLOUD FEATURES, AND BLAZINGLY FAST PERFORMANCE.

Holdan is excited to announce the release of the new Atomos Ninja TX, a powerful new addition to the Ninja family redesigned from the ground up for modern workflows. Unlike other Ninja models, Ninja TX includes both 12G-SDI and HDMI 2.0 I/O, built-in Wi-Fi, and AirGlu™ timecode sync, all in a compact, lightweight 5-inch body with improved thermal design.

Despite its size, Ninja TX packs the performance of the Shogun Ultra and adds support for ultra-fast CFexpress Type B cards and USB-C drives for flexible, high-speed recording. It runs on the new AtomOS (Linux-based) for faster performance, streamlined updates, and a more intuitive interface.

The 1500-nit touchscreen is 50% brighter than previous Ninjas and loaded with advanced monitoring tools like EL ZONE™ false colour, waveform, vectorscope, and focus peaking, giving creators precise control on set.

Built for today’s connected workflows, Ninja TX supports direct uploads to cloud platforms like Frame.io and Dropbox, offers 20GB of free ATOMOSphere storage, and allows real-time streaming via NDI 6/HX3.

“This is the most advanced and capable Ninja we’ve ever built,” said Peter Barber, Atomos CEO. “While it may look similar at first glance, Ninja TX is a completely new product, re-engineered from the ground up. There’s nothing carried over from previous models. The mechanical design, electronics, and thermal system have all been rebuilt to make this possible.”

“I’m incredibly proud of the Atomos engineering team for achieving what many would’ve thought impossible: fitting 12G-SDI, HDMI, Wi-Fi, Bluetooth, and timecode sync via AirGlu into such a compact and lightweight design to create a highly portable, run-and-gun, monitor-recorder,” added Peter. “Atomos invented this category, and Ninja TX takes us even further ahead. Its size and versatility make it ideal for any professional camera rig. This is going to be a must-have for filmmakers everywhere. Ninja TX is the new production standard. No other monitor-recorder comes close.”

Ready to Shoot, Right Out of the Box
Ninja TX comes with all major codecs pre-activated Apple ProRes, ProRes RAW, Avid DNx, and H.265/H.264 so you can start shooting immediately with the right format for your project. It supports a wide range of resolutions and frame rates, including 120fps in HD, 60fps in 4K, and 30fps in 8K.
A redesigned cooling system keeps the unit quieter and cooler, while dual USB-C ports allow for simultaneous connection of external drives, accessories, or calibration tools. With both 12G-SDI and HDMI, Ninja TX is compatible with virtually any camera setup.

To ensure cable stability in demanding environments, Ninja TX features a rugged locking system for HDMI and USB-C, with dedicated brackets and an included USB-C locking cable delivering one of the most secure connections in the industry.

Key Features At-A-Glance

• Encode to Apple ProRes/RAW, Avid DNx or H.265/H.264
• Record up to 8Kp30 RAW
• Capture to CFexpress* Type B or USB-C* storage
• Super-bright, 1500nit 5-inch touchscreen display
• HDMI 2.0, 12G-SDI input and output & Wi-Fi 6E
• Includes NDI 6 / HX3 TX/RX streaming
• AtomOS Linux-based operating system
• Direct upload to ATOMOSphere, Frame.io, Dropbox and more
• Timecode sync over RF or Bluetooth
• Over-the-air (OTA) firmware updates
• Powered by USB-C, NP-F battery or AC adaptor
  *Storage media not included. **Separate purchase or subscription may be required.

Craig Harrison Senior Product Manager, Holdan, commented:
“With the Ninja TX, Atomos are delivering the monitor-recorder today’s film makers have been waiting for compact, powerful, and truly built for the modern creator. From the blazing-fast CFexpress recording to native cloud integration and a screen that holds its own in any lighting condition, this device elevates every part of the production process. It is not just an evolution it’s a total reinvention. Atomos have packed the performance of their most advanced products into a tool that is ready to go wherever creators go. Ninja TX is now the centrepiece of their ecosystem, and I cannot wait to see how filmmakers and content pros put it to work.”

Availability: Pre-order now. Shipping at the end of August.

Visit the Holdan website.

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