Pocketable, Lightweight, with TTL, High-Speed Sync, and a Circular Color Touchscreen Interface

Viltrox today announced the launch of its Vintage Z1 Pro, a retro-inspired compact flash. Embracing the signature vintage styling of the original Vintage Z1, the new Z1 Pro introduces TTL automatic flash metering and High-Speed Sync (HSS) functionality, delivering enhanced performance and creative flexibility in a highly portable form factor.

The Vintage Z1 Pro is designed as an accessible solution for beginners while also supporting more advanced creative applications, including street photography, portraiture, travel, and everyday content creation.

TTL Automatic Flash Metering and New High-Speed Sync

The Vintage Z1 Pro is the first in the series to include High-Speed Sync (HSS) functionality up to 1/8000s, enabling photographers to shoot in bright daylight with wider apertures and capture fast-moving subjects in natural ambient conditions.

TTL flash metering automatically adjusts flash output based on ambient lighting conditions. The Vintage Z1 Pro supports two optical trigger modes: S1 mode, which triggers simultaneously when another flash burst is detected, and S2 mode, which ignores TTL pre-flashes and triggers on the primary flash burst, enabling flexible multi-light arrangements and off-camera flash setups.

Intuitive Circular Color Touchscreen

The Vintage Z1 Pro features a newly integrated circular color touchscreen UI designed to simplify workflows. The display provides clear access to flash output levels, shooting modes, battery status, and sync settings, while touch-based controls enable faster and more intuitive adjustments compared to traditional button-operated interfaces.

High-Speed, High-Performance Flash

The Vintage Z1 Pro delivers 24Ws flash output with a 1-second recycle time. The high-capacity battery supports up to 350 full-power flashes per charge, helping creators maintain a smooth shooting rhythm. Integrated USB-C charging allows the flash to fit conveniently into modern loadouts, with a full recharge taking just 70 minutes.

Broad Camera Compatibility

The Vintage Z1 Pro supports Sony, Nikon, Canon, and Fujifilm camera systems (hot shoe versions) across a wide range of mainstream cameras.

The Diversity of Style in Viltrox’s Flash Series

With the launch of the Vintage Z1 Pro, Viltrox continues to expand its flash lineup, offering creators a broader range of lighting solutions across different shooting styles, creative preferences, and performance needs.

From the retro-inspired Vintage Series, including the Vintage Z1 and Z2, to the cyberpunk-styled Spark Series represented by the Spark Z3, the Viltrox flash lineup is designed to provide flexible and accessible lighting tools for photographers and content creators across a wide range of creative scenarios.

Pricing and Availability

For more information, please visit: https://bit.ly/4uOZlDs

The post Viltrox Launches the Vintage Z1 Pro Retro-Inspired Compact Flash appeared first on The Society of Photographers | International Photography Organisation.

Nikon is proud to announce it has received multiple honours at the prestigious Red Dot Award: Product Design 2026, including the “Red Dot: Best of the Best” distinction, awarded to the COOLSHOT PROIII STABILIZED / COOLSHOT 50i GII.

The breadth of Nikon’s design work continued to be recognised across its imaging portfolio, with the ZR, Z5II, and NIKKOR Z 28–135mm f/4 PZ  each securing “Red Dot” distinctions at the 2026 Red Dot Award: Product Design, one of the world’s most renowned design award programs.

Earning the competition’s highest honour – the “Red Dot: Best of the Best” award – the COOLSHOT series was recognised by the judges for how it “combines ergonomic precision with functional details for intuitive use.”

Nikon’s design work was further commended by the panel, with its first cinema camera, the ZR, highlighted for how it “skilfully translates professional film functions into a compact, integrated camera concept for versatile use.” The Z5II was praised for “combining functional clarity, ease of use and sustainable design principles into a well-balanced system camera,” while the NIKKOR Z 28–135mm f/4 PZ lens was lauded for its “clearly structured operating logic,” delivering precision for professional film production.

The Red Dot Award: Product Design is one of the world’s most established design competitions, recognising products that stand out for their high design quality since 1955. Entries from around the globe are evaluated by an independent jury of international design experts through a rigorous, multi-stage process, assessing key principles of good design including functionality, usability, responsibility, and aesthetic quality.

These awards highlight Nikon’s ongoing commitment to delivering innovative products that combine advanced technology with thoughtful, user-centric design, empowering creators across photography and filmmaking.

Nikon’s Red Dot Award: Product Design 2026 prize winning products:

NIKON ZR:  A MAJOR STEP INTO PRO FILMMAKING

Nikon’s first cinema camera represents a major step into professional filmmaking. Designed to integrate advanced cinematic functionality into a compact body, the ZR offers versatile usability without the need for complex rigs or accessories. Its streamlined design supports flexible shooting scenarios, enabling creators to transition seamlessly between professional and independent productions while maintaining high image quality and operational efficiency.

NIKON Z5II:  CREATE WITH CONFIDENCE

The Z5II full-frame mirrorless camera balances performance, accessibility, and thoughtful design. Built around Nikon’s powerful EXPEED 7 image-processing engine, it delivers reliable autofocus, strong low-light capability, and hybrid stills/video performance. With a design focused on usability and durability, the Z5II offers creators a dependable tool that combines advanced features with a clear and intuitive shooting experience.

NIKKOR Z 28–135mm f/4 PZ: A VERSATILE FX POWER ZOOM

Developed with video creators in mind, this power zoom lens delivers smooth, precise zoom control and consistent optical performance across its range. Its design supports demanding production environments such as documentary filmmaking and solo shoots, where flexibility and reliability are essential. With intuitive handling and high-resolution capability, the lens expands creative possibilities for professional video production.

COOLSHOT PROIII STABILIZED / COOLSHOT 50i GII: FOR RAPID DISTANCE MEASUREMENT

The COOLSHOT rangefinders exemplify Nikon’s expertise in precision optics and user-focused design. Engineered for speed and accuracy, these models deliver rapid distance measurement and stabilised viewing, ensuring reliable performance even in demanding conditions. Their ergonomic form factor and intuitive controls make them easy to operate, reinforcing their appeal for golfers seeking both performance and ease of use.

The Red Dot Award: Product Design is a world-class competition celebrating the best in design and business. The distinction “Red Dot” has become established internationally as one of the most sought-after seals of quality for good design. Visit the website for more information: https://www.red-dot.org/.

The post Nikon Honoured with Multiple Awards at The 2026 Red Dot Award: Product Design, Including “Best of the Best” Distinction appeared first on The Society of Photographers | International Photography Organisation.

Canon has officially introduced the new Lens Dust Cap RF II, a redesigned rear lens cap for its RF mount system, bringing a simple but practical upgrade for Canon mirrorless users.

The updated accessory replaces the original RF rear lens cap, which could only be attached in a single orientation. The new RF II version introduces a redesigned locking mechanism that allows the cap to be mounted in multiple positions, making it quicker and more intuitive to use when swapping lenses in fast-paced shooting situations.

While a small update on paper, the change directly addresses a long-running frustration among Canon RF users, particularly photographers and filmmakers working in dynamic environments where speed and convenience matter.

According to Canon’s official announcement, the redesign is part of ongoing refinements to the RF ecosystem, with a focus on improving everyday usability across its lens and accessory lineup. The new cap is expected to gradually replace the existing design as new RF lenses ship and stock is updated across retail channels.

Availability will vary by region, with rollout expected through Canon’s official stores and authorised dealers.

The Lens Dust Cap RF II was first revealed via Canon’s official corporate newsroom in Japan, with global availability expected to follow in line with Canon’s standard regional release schedule for accessories.

Key details: Canon Lens Dust Cap RF II

• Redesigned RF rear lens cap for Canon mirrorless RF mount
• Multi-orientation attachment (improved from original single-position design)
• Improved usability for faster lens changes
• Rolling replacement across RF lens shipments
• Availability varies by region

Why it matters

Although a minor accessory update, the RF Lens Dust Cap II highlights Canon’s incremental improvements to the RF system, addressing practical usability issues raised by photographers since the original RF mount launch.

https://www.canon.co.uk

The post Canon launches new RF Lens Dust Cap II with improved usability for mirrorless shooters appeared first on The Society of Photographers | International Photography Organisation.

Combining Argentina-inspired design with reliable performance, the Elite Legends Series offers fans, creators, and professionals portable storage built for the moments worth keeping.

Lexar, a leading global brand in memory and storage solutions, today launched its official AFA co-branded storage collection, created in partnership with the Argentine Football Association (AFA).

As the official partner of the Argentine National Football Team, Lexar developed the new Elite Legends Series to celebrate a shared commitment to performance, resilience, and excellence under pressure. Inspired by Argentina’s championship legacy, the collection brings together football passion and Lexar’s 30 years of storage expertise in a lineup built to capture, move, and protect every important moment.

Officially licensed by AFA, the collection features a custom design inspired by Argentina’s iconic blue-and-white colors and the legendary number 10. Select products also come in premium co-branded packaging with a curated bundle that includes a custom portable SSD, a USB-C to C cable with a USB-C to USB-A adapter, and a collectible card.

The new lineup includes the Lexar SL500 Portable SSD Elite Legends Series, Lexar Air Portable SSD Elite Legends Series, and Lexar Solid State Dual Drive D500 USB 3.2 Gen 1 Type-C Elite Legends Series.

· The SL500 Portable SSD Elite Legends Series combines read speeds of up to 2000MB/s and write speeds of up to 1800MB/s¹ with a slim, durable metal design, making it well suited for videographers, creators, and fans capturing fast-moving football moments. Support for iPhone ProRes, mirrorless video recording and mobile backup through the Lexar App also make it a practical option for saving match-day footage and content on the go.

·The Air Portable SSD Elite Legends Series offers large capacities in an ultra-lightweight design, with speeds up to 400MB/s, automatic mobile backup, 2-meter drop protection, and thermal control for reliable everyday use. It is designed for users who want an easy way to store photos, videos, and travel memories from every match and every trip.

· The Dual Drive D500 Elite Legends Seriesfeatures both USB-A and USB-C connectors for easy use across devices, along with speeds up to 400MB/s and a compact metal design for convenient everyday backup and file transfer. For users sharing photos, clips, and football content between phones, tablets, and laptops, it offers a simple and flexible storage solution.

The launch marks Lexar’s 30th anniversary, honoring three decades of innovation defined by performance, reliability, and trust. Since 1996, Lexar has supported photographers, videographers, creators, and everyday users with storage solutions designed to protect what matters most, even in fast-moving, high-pressure environments.

Those values closely align with the spirit of football and the legacy of AFA. Excellence is earned through consistency, resilience, and performance under pressure-qualities that define both champions on the pitch and the technology trusted to preserve their most important moments. That is what makes this collection especially meaningful.

For fans, the Elite Legends Series offers a secure and stylish way to keep photos, videos, and memories from every match and every journey. For creators, it supports faster mobile workflows and easier backup on the go. And for sports photographers and media professionals, dependable storage remains essential to capturing and protecting the moments that define the game.

With the new AFA co-branded Elite Legends Series, Lexar brings together football passion and trusted storage technology in a collection shaped by shared values-not only to celebrate championship glory, but to help users keep every winning moment safe.

For more information, please visit lexar.com

The post Lexar Celebrates Global Football Fandom with Official AFA Elite Legends Series appeared first on The Society of Photographers | International Photography Organisation.

The first full-frame autofocus zoom developed by a Chinese optical brand, in a constant f/2.8 internal-zoom design

Thypoch proudly announces the Thypoch today announced the Voyager 24-50mm f/2.8, the first full-frame autofocus zoom developed by a Chinese optical brand and Thypoch’s first AF lens. Built for Sony E-mount mirrorless cameras, the Voyager uses an internal zoom mechanism that holds physical length fixed across the focal range, with a constant f/2.8 aperture from 24mm through 50mm.

Three Primes in One Lens

A photographer working with primes typically carries 24mm, 35mm, and 50mm. Those three focal lengths cover the working distances that define documentary, reportage, environmental portrait, street, and event photography. The 24mm captures a full scene when there isn’t room to step back. The 35mm sees roughly the way the eye sees, which is why it remains the working perspective of reportage and documentary photography. The 50mm isolates a subject without flattening the space around it.

The 24-50mm range was chosen as a balance of size, design, and price point. It covers the focal lengths working photographers reach for daily. The Voyager fits an internal zoom mechanism, holds f/2.8 across the range, and stays compact enough to live on the camera all day.

The Voyager is designed to deliver image quality comparable to a dedicated prime across the zoom range, whether the working perspective is the breadth of 24mm, the reportage view of 35mm, or the subject isolation of 50mm. The result is one lens that does the work of three primes, in the size and weight of one.

Fixed Length, Constant Aperture

A fixed-length zoom that holds f/2.8 across the range removes two of the most common interruptions in fast-paced shooting: rebalancing a gimbal between focal lengths, and recalculating exposure as the aperture shifts.

The Voyager’s internal zoom mechanism keeps the barrel length constant from 24mm to 50mm. The center of gravity stays in place during a take. The fixed barrel is also more mechanically stable in the hand than an extending zoom, which translates to a steadier grip during handheld work.

The f/2.8 maximum aperture is held throughout the zoom range. From dim interiors and twilight streets to backlit portraits, f/2.8 delivers the brightness and subject separation that working photographers need when light is scarce. Exposure stays consistent across focal lengths. The lens stays out of the way of the shot.

The fixed barrel also eliminates lens creep when the camera is stowed, and removes the extending external moving parts that complicate weather sealing on conventional zooms.

A First for Chinese Optical Engineering

The Voyager is the first full-frame autofocus zoom developed by a Chinese optical brand. Combining autofocus, full-frame image coverage, and zoom architecture in a single lens requires coordinated development across optical design, mechanical engineering, AF systems, and electronics.

The Voyager’s autofocus system is designed for fast and quiet operation. Thypoch built the AF unit to stay out of the way of the shot, with response speed intended to keep pace with documentary, street, and event shooting, and quiet operation suited to video work and sound-sensitive environments. The lens features native Sony E-mount autofocus, with support for eye AF, AF-C tracking, and in-camera and lens-side AF/MF switching.

The lens has been tested with current-generation Sony Alpha bodies including the ZV-E1, A7C2, A7CR, A7IV, A7V, A7RIV, A7RV, A7SIII, A9III, and FX3.

Built for Bokeh

Rendering character is where Thypoch has built its reputation, and the Voyager carries that priority into autofocus. The optical design uses 16 elements in 13 groups, including 2 ASPH (aspherical) elements, 3 ED (extra-low dispersion) elements, and 3 HRI (high refractive index) elements. The formula is designed to control aberrations across the frame at all focal lengths.

The 10-blade rounded aperture holds its circular shape across most of the working aperture range, producing rounded out-of-focus highlights at mid apertures and sunstar rendering at smaller apertures.

Optical, Not Digital

The Voyager’s out-of-focus rendering is built into the glass, not added in software. Optical bokeh behaves naturally at the edges of the frame, around specular highlights, and in the transition zones that digital blur tends to flatten. The result is depth that holds up at full resolution and on close inspection.

The transition from sharp focus to background blur happens gradually, the way a lens with character renders rather than the way a lens that’s merely sharp does. Subjects sit forward in the frame with weight and presence, separated from the background without the harsh cutoff that flattens an image.

Sealed at Every Joint

Weather sealing is the difference between a lens that works in the conditions a photographer actually shoots in and a lens that has to be protected from them. The Voyager is built with sealed construction at the lens mount, focus ring, zoom ring, and front element. The internal zoom design contributes to sealing integrity by removing the extending external barrel that creates the most common point of moisture ingress on conventional zooms.

The lens is developed for dust and moisture resistance. Whether the shooting environment is coastal mist or a sudden urban downpour, the Voyager is built to keep working. Paired with Sony’s own weather-sealed Alpha bodies, the lens completes a sealed shooting system rather than introducing a weak point in it.

Cinema Zoom Heritage

The Voyager is Thypoch’s first autofocus lens. Its zoom architecture draws on the parent group’s experience in cinema zoom lens engineering, which includes constant-aperture and internal-zoom designs across multiple cine lens families. Cinema zooms are the discipline in which constant aperture and fixed barrel length were first solved as engineering problems. The Voyager applies that discipline to a stills-format AF lens.

Key Specifications

• Focal length: 24-50mm
• Maximum aperture: f/2.8 constant
• Optical formula: 16 elements in 13 groups (2 ASPH, 3 ED, 3 HRI)
• Aperture blades: 10 (rounded)
• Minimum focus distance: 0.3m across the zoom range
• Maximum magnification: 0.216x
• Filter thread: φ67mm
• Weight: 432g
• Length: 92.88mm
• Maximum diameter: φ73.6mm
• Mount: Sony E
• Weather rating: Dust and moisture resistance

Full specifications: dzolink.com/Voyager24-50mm

Price and Availability

• Launch price: USD $619 / EUR €539 (May 14 to May 31, 2026)
• MSRP: USD $649 / EUR €569
• The Thypoch Voyager 24-50mm f/2.8 is available in Sony E-mount.
• Standard package: lens body, front cap, rear cap, warranty card.
• Local availability from: Early June 2026
• Where to buy: thypoch.com/en/dealer

The post Thypoch enters autofocus market with Voyager 24-50mm f/2.8 for Sony E-mount appeared first on The Society of Photographers | International Photography Organisation.

Super-telephoto zoom with constant F4.5 aperture, autofocus up to 3x faster1,2, and outstanding mobility

Sony introduces the FE 100-400mm F4.5 GM OSS, the newest addition to its flagship G Master lens series for full-frame Alpha E-mount cameras. Covering a 100-400 mm focal range with a constant F4.5 aperture, the lens delivers the exceptional resolution and bokeh that define the G Master series, high-precision autofocus (AF) up to approximately 3x faster1,2 than the FE 100-400mm F4.5-5.6 GM OSS. Weighing approximately 65 oz. (1,840 g) with an internal zoom structure, its stable weight balance offers highly mobile shooting capabilities. The FE 100-400mm F4.5 GM OSS gives wildlife, birding, sports, and photojournalism creators the speed, reach, and image quality to capture decisive moments in any environment, expanding their creative possibilities.

“Our creators want super-telephoto reach with G Master optical quality in a body light enough to shoot handheld all day. The FE 100-400mm F4.5 GM OSS delivers constant F4.5 aperture, dramatically faster autofocus, and a build that keeps up with the user’s instincts, whether tracking a bird in flight or working the sideline at a championship match,” said Yoshioka Naoto, Head of Marketing, Imaging, Products and Solutions, Sony Europe.

Key features of FE 100-400mm F4.5 GM OSS G Master:

Uncompromising G Master Optics

• Resolves fine detail across the full 100-400 mm zoom range, even wide open at F4.5
• Optical design featuring newly developed ED XA (Extra-low Dispersion extreme aspherical), XA (extreme aspherical), two Super ED (extra-low Dispersion), and three ED glass elements, effectively controlling multiple aberrations including chromatic and spherical aberration to achieve exceptional resolution from center to edge across the entire zoom range
• Nano AR Coating II reduces ghosting and flare for high-contrast results in backlit conditions
• 11-blade circular aperture with precision spherical aberration control produces the signature G Master bokeh
• Constant F4.5 maximum aperture eliminates exposure shifts while zooming
• Compatible with optional teleconverters3 for focal lengths up to 800 mm or 1,200 mm in APS-C mode4

Autofocus That Keeps Pace with the Action

• Four custom-optimized XD (extreme dynamic) Linear Motors, a floating focus mechanism, and the latest AF algorithms deliver AF speeds up to 3x faster1,2 with approximately 50 % improved subject tracking2
• Fully compatible with Alpha 9 III continuous shooting at up to 120 fps5 with AF/AE tracking

Lightweight Build, Exceptional Mobility

• Combining the latest optical design, mechanical engineering with lightweight yet robust magnesium alloy barrel components, and high-efficiency, high-thrust XD Linear Motors, the lens achieves a lightweight and robust body at approximately 65 oz. (1,840 g)
• Inner-zoom design maintains constant length and stable center of gravity throughout the zoom range for precise framing adjustments without shifting balance

Professional-Grade Control and Reliability

• Built-in stabilization supports Active Mode and coordinates internal stabilization control on compatible bodies
• Supports the camera body’s breathing compensation6, correcting angle-of-view shifts during focus adjustments in video recording
• Four focus hold buttons7 and a dedicated function ring for intuitive, personalized operation in the field
• Dust and moisture resistant design8 with fluorine front-element coating maintains reliable performance in challenging conditions

Pricing and Availability

The FE 100-400mm F4.5 GM OSS will be available in June for approximately €5,000 / 4,400GBP.

Sony’s other imaging products can be found at Alpha Universe

The post Sony Unveils the FE 100-400mm F4.5 GM OSS G Master appeared first on The Society of Photographers | International Photography Organisation.

Sony today introduces the Alpha 7R VI, the sixth generation of its celebrated Alpha 7R series. Built on the series’ legacy of leading resolution, this full-frame mirrorless camera pairs an approximately 66.8 effective megapixel back-illuminated fully-stacked Exmor RS CMOS sensor with the new BIONZ XR2 engine. The result: exceptional resolution, accurate color, and reliable performance across subjects ranging from people in motion to wildlife to expansive landscapes.

Sony also introduces the XLR-A4 XLR adaptor to expand on-camera audio capabilities for professional productions, including 32-bit float recording.

“The Alpha 7R series stands for image quality you can trust on screen, in print, and in the most demanding conditions. The Alpha 7R VI takes that further with the speed, intelligence, battery life, and viewfinder quality our creators have been asking for. Every decision strengthens what this series does best and makes it work harder for the people who rely on it,” said Yoshioka Naoto, Head of Marketing, Imaging, Products and Solutions, Sony Europe.

Alpha 7R VI Key Features:

• Expanded High-Resolution Shooting
• 66.8 MP (approximate, effective) full-frame fully-stacked Exmor RS sensor with up to 16 stopsof dynamic range and reduced noise in the mid-sensitivity range
• Precise 5-axis optical image stabilization delivering up to 8.5 stops at the center and 7.0 stops at the periphery
• Auto White Balance powered by visible light and infrared (IR) sensor and deep-learning illumination estimation, for stable natural color in shaded or indoor scenes
• Intelligence in Every Frame with High-Speed, High-Precision Continuous Shooting
• BIONZ XR2 engine with integrated AI processing unit and approximately 5.6x faster sensor readout than the previous model, enabling blackout-free continuous shooting at up to approximately 30 fps6delivering up to 60 AF/AE calculations per second with AF/AE tracking
• Real-time Recognition AF+ (Plus) with skeletal-based human pose estimation and tracking, for reliable focus on fast-moving subjects including athletes and dynamic scenes

Built for Professional Demands

• New NP-SA100 high-capacity battery (2670 mAh) supports up to 710 still images via LCD monitor or 600 via viewfinder (CIPA standard), reducing battery changes during extended shoots
• Approximately 9.44M dot OLED viewfinder with a DCI-P3 equivalent color gamut and 10-bit HDR—maximum brightness is approximately three times higher than conventional models for clear visibility in bright environments
• Effective heat management allows uninterrupted 8K movie recording up to 120 min
• Dual USB Type-C ports for simultaneous charging and data transfer; illuminated rear buttons for low-light operation
• Magnesium alloy for a lightweight and durable body; 4-axis multi-angle LCD monitor for flexible shooting angles; mode-dial “Memory Recall” links shooting setups to customizable buttons
• Supports Sony’s Camera Authenticity Solution, including the C2PA standard, enabling verification that still images and videos were captured with a camera (not AI-generated)

Professional Video

• 8K 30p recording with 8.2K oversampling and full frame 4K 60p and 120p recording without cro
• Dual Gain Shooting, a first in the Alpha series, optimizes sensor performance to reduce noise losing shadow detail for smooth gradation and wide latitude
• Redesigned in-camera stabilization expands the roll-direction compensation range by 2x; Dynamic active Mode delivers smooth and steady handheld
• 32-bit float audio internal recording in camera when paired with the XLR-A4 XLR adaptor, eliminating the need for fine adjustment on location

Key Features of the XLR-A4 XLR Adaptor

• Supports in-camera digital audio recording with up to 4-channel; XLR microphones, such as the ECM-778 (up to 2ch), and connects 3.5 mm stereo mini jack microphones (2ch stereo) via the Multi Interface (MI) Shoe
• Dual AD converters digitize microphone signals across a wide dynamic range, capturing quiet ambience through loud action with clarity
• Records digital audio at up to 96kHz 32-bit float 4ch on compatible cameras, fully leveraging high-end XLR microphone quality. The 32-bit float format eliminates the need for fine gain adjustment on location, significantly reducing the risk of audio distortion
• Lower profile height design and a reinforced chassis structure compared to the XLR-K3M, supporting stable shooting across on-location scenarios
• Supplied shoe audio extension cable allows placement up to approximately 60 cm from the camera; side routing minimizes interference with rigs and accessories
• USB Audio Class 2.0 compatible; functions as a 96 kHz 24-bit 2ch audio interface when connected to a PC for on-site audio monitoring and editing

Pricing and Availability:

The Alpha 7R VI (ILCE-7RM6) is available from June 2026 for approximately 5,100 EUR / 4,400 GBP.The new XLR-A4, XLR adaptor is available from June 2026 for approximately 750 EUR / 660 GBP.

https://www.sony.co.uk

The post Sony Accelerates High-Resolution Photography with the Alpha 7R VI appeared first on The Society of Photographers | International Photography Organisation.

Canon a leader in digital imaging solutions, today announced the launch of the new full-frame EOS R6 V camera, the RF20-50mm F4 L IS USM PZ lens and accessories designed to empower the content creators and advanced videographers of today who seek flexibility, portability and high-end video performance in one powerful package. The EOS V-series lineup from Canon answers this call and delivers advanced video tools in a streamlined, creator-friendly system designed to let creativity soar.

Make Movie Magic with the EOS R6 V Camera

A new addition to the EOS V-series lineup specifically built for video capture, the EOS R6 V camera is designed for creatives who capture video on a daily basis who want control, operability, and reliability, with limited creative constraints. Designed for handheld and gimbal shots, the camera features robust in-body IS as well as a 7K / 32.5MP full-frame CMOS sensor, 7K 60p RAW, 7K 30p Open Gate, and support of Slow and Fast Mode. From short-form social video to long-form video productions and podcasts, the EOS R6 V camera is a powerful tool for exploring the expansive possibilities of self-produced storytelling.

Key features include:

• 32.5MP full-frame CMOS sensor, 4K up to 60p oversampled recording, and uncropped 4K 120p to deliver high-quality slow motion.
• Advanced AF tracking optimized for video shooting, smooth autofocus performance for video, and in-body image stabilization for handheld shooting.
• Enhanced operability and reliability, including a compact, flat body design with reduced profile, vertical shooting support with dedicated vertical tripod mount, and integrated zoom lever and tally lamp.
• Internal cooling fan helping to enable extended shooting times.

Zooming In on Creativity

Every filmmaker toolkit needs a standout zoom lens, and the new RF20-50mm F4 L IS USM PZ zoom lens is an outstanding option. This full-frame compatible L-Series, RF mount lens is Canon’s first L-series lens to feature built-in power zoom without the need for additional accessories. With a versatile 20mm to 50mm focal range, it provides ultra-wide angle views, and zooms through to a standard field of view – bringing subject details within reach. The lens enables high-quality video imagery, balancing lightweight agility with professional-level performance.

Key features include:

• Built in power zoom, with the ability to switch between manual and power zoom functionality, all controlled from a single zoom ring.
• Constant f/4 aperture across the zoom range, maintains consistent image brightness while zooming from the expansive view of the 20mm wide, to the detailed 50mm telephoto setting, providing versatility for video and photo shooting.
• Internal optical zoom design, for a balanced center of gravity essential for gimbal use.
• Compact, lightweight design supporting comfortable and long-duration handheld and gimbal video shooting.
• Ability to remotely power zoom the lens using the Canon Camera Connect app or through the use of Canon wireless Bluetooth^® enabled remotes such as BR-E2 and BR-E1.

Accessories Designed for Flexibility

To complement the EOS R6 V camera and RF20-50mm F4 L IS USM PZ lens, Canon is debuting a range of optional accessories tailored to modern content production, including:

• BR-E2 Wireless Remote Control: The BR-E2 Wireless Remote Control is a next-generation Bluetooth^® Low Energy remote supporting the new EOS R6 V camera as well as all other EOS cameras (excluding the EOS R100) or PowerShot cameras released from August 2022 onwards. Features include lever-operated zoom operations and exposure compensation, making it an ideal accessory for vlogging, livestreaming and solo shooting.
• HG-200TBR Multi-Function Tripod Grip: Features a versatile combination tripod and hand grip that is designed for both horizontal and vertical formats and supports both video and still shooting. A movie record button and zoom and exposure compensation levers provides smooth and intuitive movie shooting. Included with the HG-200TBR Multi-Function Tripod Grip, is the BR-E2 Wireless Remote Control.
• AD-M1 Macro Lite Adapter Set: A specialized accessory set designed for use with macro lenses and select standard lenses. The kit includes a mount ring, micro lite adapter and flash head mount, enabling enhanced close-up photography and creative lighting control.

New Content Creator Kits

To empower creators of all varieties, Canon is also launching new content creator kits including:

• Creator Accessory Kit II: Stereo Microphone DM-E100, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2
• PowerShot V1 Video Creator Kit: PowerShot V1 camera, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2
• EOS R50 V Video Creator Kit: EOS R50 V camera and RF-S14-30mm F4-6.3 IS STM PZ Lens Kit, Tripod Grip HG-200TBR and Wireless Remote Control BR-E2

Availability

The Canon EOS R6 V camera body only, kit with the RF20-50mm F4 L IS USM PZ lens, or the Stop Motion Animation Firmware are expected to be available in late June and July for an estimated retail price of $2,499.00, $3,699.00 and $2,599.00 respectively, The Canon RF20-50mm F4 L IS USM PZ lens is expected to be available in late June for an estimated retail price of $1,399.00.

The BR-E2 Wireless Remote Control, HG-200TBR Multi-Function Tripod Grip and AD-M1 Macro Lite Adapter Set are expected to be available inlate June for an estimated retail price of $69.99, $159.99, $179.99 respectively

The Creator Accessory Kit II, PowerShot V1 Video Creator Kit and the EOS R50 V Video Creator Kit are expected to be available inearly July for an estimated retail price of $249.99, $1,279.00 and $1,199.00 respectively.

For more information about Canon’s latest innovations and products, please visit www.usa.canon.com.

The post Canon Unveils New EOS R6 V Full-Frame EOS Camera and RF20-50mm F4 L IS USM PZ Built-In Power Zoom Lens Empowering Creators to Achieve Maximum Creative Expression in Motion appeared first on The Society of Photographers | International Photography Organisation.

Panasonic is proud to introduce the LUMIX L10 (DC‑L10), a new fixed lens camera created for photographers who value intuitive control, refined design, and exceptional image quality. Developed in Osaka, Japan, the LUMIX L10 embodies Panasonic’s belief that a camera should feel instinctive in the hand, allowing the user to focus entirely on the subject and bringing any creative vision to life.

Celebrating 25 Years of LUMIX

To mark the 25th anniversary of LUMIX, the LUMIX L10 will be available in three color variations: Black, Silver, and a commemorative Titanium Gold Special Edition. This milestone special edition celebrates LUMIX’s heritage and design vision. Inspired by the LUMIX’s philosophy of “Shaping Emotions”- (Mushin), the LUMIX L10 brings together trusted craftsmanship, timeless aesthetics, and advanced imaging technology in a compact body. A signature saffiano leather-textured finish defines the camera’s look, complemented by a high-quality metal exterior and magnesium alloy front case, offering a contemporary and enduring design.

The Titanium Gold Special Edition LUMIX L10 also comes with several exclusive features, including a refined menu interface adopting a Titanium Gold theme to create visual harmony with the exterior, subtly placed rear branding that remains visible only to its owner and support for commercially available screw-in shutter buttons for personal customization. A selection of dedicated accessories are also unique to the Titanium Gold kit, these are additional auto lens cap, shoulder strap, and lens cloth. The Titanium Gold Edition will be available through limited sales channels, primarily via the official Panasonic Store with availability varying by region.

Weighing approximately 508g / 1.12 lb, the LUMIX L10 is built to carry all day, with an intuitive layout for one‑handed operation. It’s tactile controls and balanced design creates a seamless shooting experience, enabling photographers to capture moments freely, without distraction, particularly suited for street, travel and everyday photography.

Premium optics and Imaging Performance

The LUMIX L10 features a LEICA DC VARIO-SUMMILUX 24-75mm lens with an F1.7–2.8 aperture, combining expressive depth, beautiful bokeh, and versatile performance. A precision-machined metal barrel and manual aperture ring enhance tactile control, while AF macro shooting from as close as 3 cm at the wide end broadens creative possibilities. Whether capturing sweeping landscapes, intimate portraits, or documentary work, the lens delivers delicate gradations of light and shadow with better clarity.

With a 20.4MP resolution, it delivers rich texture, natural color, and refined tonal gradation. The 4/3 type back-illuminated (BSI) CMOS image sensor and latest image processing engine deliver higher image quality. Dynamic Range Boost further enhances tonal richness, delivering expanded shadow detail in still photography.

Another stand out feature is that the L10 also incorporates a multi-aspect shooting capability. By utilizing a sensor larger than the lens image circle, it maintains a consistent angle of view across 4:3, 3:2, and 16:9 aspect ratios, providing greater compositional flexibility without altering framing.

Creative Color and Workflow Integration

Guided by Panasonic’s picture‑making philosophy of “Capturing It All,” LUMIX color science is designed to deliver realistic reproduction, creating images that feel natural, rich, and emotionally engaging. In addition to LUMIX’s signature Photo Styles, the LUMIX L10 introduces new film-inspired looks, including L.Classic, with soft tones and muted colors for a gentle, delicate atmosphere, and L.ClassicGold, featuring warm amber highlights and nostalgic contrasts.

With REAL TIME LUT, users can load custom LUTs directly into the camera and preview the final look while shooting. Up to two LUTs can be layered for added creative flexibility. Using the LUMIX Lab app, users can further expand their options by generating LUTs from their favorite images with Magic LUT, powered by AI-based color analysis

To support capturing those decisive moments, the LUMIX L10 features Phase Hybrid AF with 779 focus points, advanced AI-based eye, face, and subject recognition (including Urban Sports), high-speed continuous shooting at up to 30 fps with the electronic shutter, and reliable optical image stabilization for stable handheld capture.

A 2.36-million-dot OLED viewfinder and a 1.84-million-dot free-angle monitor, both supporting a vertically optimized UI, provide flexible framing for modern shooting styles. The LUMIX L10 supports both still and short-form video workflows, including MP4 (Lite) for quick social sharing, along with high-speed transfer and editing via the LUMIX Lab app.

Built for Everyday Creativity

The LUMIX L10 combines refined design with advanced imaging to support creativity confidently and beautifully, allowing photographers to focus on the moments and emotions before them. Panasonic will continue to empower creators and expand the possibilities of visual expression for further years ahead.

https://www.panasonic.com/uk/

The post Celebrating 25 years of LUMIX: Panasonic Announces New LUMIX L10 Fixed Lens Camera appeared first on The Society of Photographers | International Photography Organisation.

Shimoda Design, the Adventure Photography brand, announces the launch of the new Urban Explore Waist Belt, designed to deliver enhanced comfort, stability, and load distribution for creators on the move.

Developed as an accessory to complement the Urban Explore backpack series, the Waist Belt has been engineered to transfer weight from the shoulders to the hips, reducing fatigue during longer shoots or commutes. Whether navigating city streets or carrying heavier loads on extended days, the belt provides additional support where it matters most.

Constructed using CORDURA re/cor™ fabric, the belt not only delivers durability and performance, but also aligns with Shimoda’s commitment to sustainable materials.The lightly padded design ensures all-day comfort, while dual-adjust slip-locks allow users to fine-tune the fit quickly and precisely.

Creators benefit from increased versatility thanks to compatibility with Shimoda Top Loader bags. The belt can be integrated to create a hip pack or sling-style configuration, offering flexibility for those who prefer a lighter, more agile carry setup.

Giles House, Product Marketing Manager, Shimoda Design, commented, “The Urban Explore Waist Belt is a natural extension of the Urban Explore system. It’s designed for creators who need greater comfort and support when carrying heavier gear, while maintaining the clean, functional design Shimoda is known for.”

With an adjustable range designed to fit a wide variety of users, the belt incorporates Shimoda’s inward-pull dual-adjust system. This design eliminates pressure points and delivers a more refined, ergonomic fit compared to traditional centre-adjust belts.

Key features include:

Improved Weight Distribution
Transfers load from shoulders to hips, reducing strain and improving comfort during extended use.

Top Loader Compatibility
Integrates seamlessly with Shimoda Top Loader bags to create alternative carry options such as hip packs or sling systems.

Wide Adjustability Range
Fits a broad range of waist sizes, with compatibility for additional belt extension accessories if required.

Dual-Adjust Fit System
Inward-pull adjustment design eliminates pressure points and ensures a secure, comfortable fit.

Recycled Materials
Constructed using Cordura re/cor recycled fabric for durability, performance, and reduced environmental impact.

Pricing & Availability

The Urban Explore Waist Belt will be available in Anthracite and Boa colourways, with a suggested retail price of £21.00 / €23.00.

https://uk.shimodadesigns.com

The post Urban Explore Waist Belt: Built for Heavier Days, Designed for Comfort appeared first on The Society of Photographers | International Photography Organisation.